2004 American comedy-drama by Michel Gondry starring Jim Carrey and Kate Winslet. Screenplay by Charlie Kaufman. Details on IMDB and Wikipedia.
Love as Fate and Willing Acceptance
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TABLE OF CONTENTS
1 Synopsis
2 Analysis
3 Narrative Structure
4 Character Design
5 Thematic Design
6 Obstacle Design
7 Plot Breakdown
Synopsis
Central Idea
Love will be given a chance through fate but will only lead to a happy relationship with trust and willing acceptance of each other’s faults.
Summary
Joel and Clementine are at the pained end of their relationship. After a fight, Joel finds out that Clementine has had all her memory of their relationship erased. He reacts by pursuing the same operation. As his memory of their relationship is erased from the present moment backwards, he reaches some sweet memories of happiness he would rather hold onto. Joel turns around and actively seeks to stop the process to save his memory. He takes the Clementine in his memory and they hide in his memories of early childhood to avoid being detected and erased. As they avoid detection together Joel rediscovers the joy of Clementine’s companionship and the root of their love. Their escape fails and the operation is completed successfully. Joel wakes up with an unknown urge to go to where he had first met Clementine. There, he runs into a similarly searching Clementine and they unknowingly fall in love a second time. Upon returning home they discover audiotapes from their operations, revealing their own taped bitter feelings about each other at the end of their last relationship. Together they choose to try again with greater acceptance of each other knowing full well the pain and compromise that will come with their love.
Analysis
JOEL I don’t see anything I don’t like about you.
CLEMENTINE But you will! But you will, and I will get bored with you and feel trapped, because that’s what happens with me.
JOEL Okay.
CLEMENTINE Okay.
JOEL Okay. [END]
ETERNAL SUNSHINE’s narrative is essentially a love story told backwards. It deals with the traditional problem of reverse narrative in a new way. The traditional problem is that if the audience already knows the ending (bitter breakup), then telling the story in reverse asks the audience the question of “is it worth it?” as we watch the story back to the beginning (falling in love). This intellectualizes the experience rather than giving us dramatic action. ETERNAL SUNSHINE deals with this problem of intellectualization by giving the protagonist an active role in the reverse narrative. Joel is able to interact with his old memories to try to stop the process of erasing; this attempt to escape is the major sub-plot of the film. The catharsis of the audience comes with his rediscovery of his love for Clementine as they try to escape together. They fail to escape at the climax of this sub-plot and his memory is erased. But the lovers meet again by fate and once again fall in love. This fake climax of the main love-story plot is placed at the beginning of the film and again at the end of the film – the audience realizes the despite losing all their memory, the lovers meet and fall in love again. If the film ended there, it would have been a good film, and the central idea would have been “Love happens because of fate”. But the problem would have been that Joel went through this huge journey of discovery and change but that all seems to go to waste if fate was just going to put them together again – he needs to be the one making an active choice that demonstrates his internal change at climax. The real climax of ETERNAL SUNSHINE comes out of the reversal at the end, in which the Joel and Clementine discover their bitter past and must choose whether or not to commit despite their past. This resurfaces Joel’s inner journey. He and she choose to commit, completing Joel’s journey of internal change with an external action. The central idea now becomes “Love happens because of fate but it will only result in a happy relationship with open acceptance of each other and the painful compromises that come with love”. This real climax fueled by true character change, dilemma and choice is what makes the film great. The climax completes the audience catharsis experienced through Joel’s rediscovery of love; as a result he wins the girl and we are touched by a great story.
JOEL Okay.
CLEMENTINE Okay.
JOEL Okay. [END]
Plot Structure
| PLOT TYPE | PLOT | CENTRAL IDEA | ARC |
| MAIN | Joel-Clementine | Love will be given a chance through fate but will only succeed with willing acceptance of each other’s faults. Will they find lasting love together? | Joel and Clementine fall in love by fate twice. Then choose to love each other on the third time by accepting that they will have pain along with the love. |
| SUB-PLOT | Escape Operation
Joel-Howard |
Love as fate that can’t be erased. Will the operation erase Joel’s memory? | Joel engages Howard (Lacuna Inc.) to erase his memory, he changes his mind half way through, tries to stop the procedure but fails. |
| SUB-PLOT | Clementine-Patrick | Love as fate can’t be faked. Will Patrick win Clementine with love’s words and actions? | Patrick falls in love with Clementine and uses Joel’s memory and artifacts to try to win Clementine over. He fails. |
| SUB-PLOT | Stan-Mary | Love can’t be forced. Love needs to be built on trust. Will Stan win Mary’s love? | Stan falls in love and tries to win Mary over but fails when Mary falls in love with Howard a second time after her memory was erased. |
| SUB-PLOT | Mary-Howard | Love as fate can’t be denied. Echoes Main Plot. Will Mary and Howard find love together? | Mary erased her memory because her love with the married Howard can’t possibly last. But she falls in love with him again. because Howard was too weak to put on distance with the new Mary. Upon discovering Howard’s deception she destroys Lacuna Inc. |
Character Design
JOEL
Desire: to have child-like blissful happiness again
Secret Desire: to be understood
Fear: to be betrayed
Traits: introverted, sensitive, analytical, well-read, judgmental
CLEMENTINE
Desire: to have fun
Secret Desire: to have someone who loves her for who she is
Fear: to be judged
Traits: impulsive, funky, exciting, excitable
Thematic Design
1) Love happens because of fate; you cannot manipulate fate.
2) Love needs acceptance, trust and responsibility and is hurt by the reverse.
Obstacle Design
Plot Breakdown
| PLOT | ACTION
< REVELATION > PAYOFF ? GAP OF EXPECTATION |
VALUE
(+) pos (-) neg |
CHARACTER | |
| 1 | Joel-Clem | Joel wakes up, skips work to goto Montauk beach.
> headache > car is dented > journal pages missing > beach house ? What happened before |
(-) Alone | Assumes next car dented his car.
Complains about hypocrisy of V-day. Surprised at own impulsiveness. |
| 2 | Joel-Clem | Joel and Clementine meet. (on the beach, café, train station and on train). | (-) Alone | Judges self: thinks falls in love easily. Dislikes self for not being able to talk to someone new.
Clem waves at stranger Joel. |
| 3 | Joel-Clem | Clementine talks to Joel. Joel talks but goes back to his journal.
< you’re “nice” < Huckleberry Hound |
(-) Comm | Joel is shy and reserved and doesn’t know how to open up. Clementine compliments Joel on being “nice”. |
| 4 | Joel-Clem | Joel offers Clementine a ride, share laugh about stalker. Clementine offers Joel drink.
< dressed up potatoes |
(+) Love | Joel steps out from his shell a little. Clem says she will marry Joel. |
| 5 | Joel-Clem | Joel leaves before things heat up. Clem gives her phone number. | (-) Love | Clem tells him to call and what to say. |
| 6 | Joel-Clem
FALSE CLIMAX Clem-Pat |
Joel gets home and calls Clem. Clem takes Joel on honeymoon on ice. Clem takes toothbrush to go sleep at Joel’s. Patrick asks what Joel is doing.
< Patrick voice mail < Patrick asking Joel < Letters from Lacuna (Mary) ? Who is Patrick |
(+) Love | Hesitate before calling. |
| 7 | Joel-Clem
(17 min) |
CREDITS
Joel is crying and upset in car. ? When is this ? Why is he upset |
(-) Love | |
| 8 | Joel-Clem
Joel-How |
Frank warns Joel of V-day. Stan and Patrick arrive at Joel gets ready for operation.
< Dot on Joel’s head ? Who are Stan and Patrick |
(-) Happy
(+) Oper |
Joel is reminded of Clementine. |
| 9 | Joel-Clem
INCITING INCIDENT |
Joel confiding in Rob/Carrie. Rob/Carrie fight over how to help Joel. Joel learns C had his memory erased.
< Joel bought V-day gift < Joel says met Clem and Pat at Borders |
(-) Happy | Joel is unhappy and seeks solace. |
| 10 | Joel-Clem
Stan-Mary |
Joel goes to Lacuna to find out what happened. Stan scares Mary. | (-) Happy | |
| 11 | Joel-Clem | Joel asks Carrie why Clem would erase him. | (-) Reaction | Joel is piss mad. |
| 12 | Joel-Clem
TURNING POINT (28 min)
Joel-How INCITING INCIDENT |
Joel goes back to Lacuna to ask to erase his memory. Howard asks Joel to collect mementos. Joel does and goes back for the procedure.
> Charles letter from Clem > H introduces Joel to Stan |
(-) Erase Memory Neg/Neg
(+) Oper |
|
| 13 | Joel-How | Joel records tape of his memories. Tell about how they met. Joel reacts to Stan putting different objects.
< tape / how met on beach < brain map |
(+) Oper | Joel a little scared. |
| 14 | Joel-How | Pat and Stan performing the operation in Joel’s apartment. Joel sees his visit to Lacuna erased. Sees himself in chair in various places. | (-) Happy | |
| 15 | Joel-How
Stan-Mary Clem-Pat |
Stan and Patrick conduct the operation. Joel hears name “Patrick”.
< Stan invited Mary over < Patrick has a girl (Clem) < P stole underwear |
(+) Oper
(+) Date (+) Date |
Stan belittles Patrick. |
| 16 | Joel-Clem | Joel and Clementine fight when Clem returns home late. Clem runs out on Joel.
> Clem tells Joel dented his car |
(-) Purpose Hurt | Clem calls Joel insecure coward. Joel calls Clem whore. |
| 17 | Joel-Clem | Joel chases Clem in car. | Joel jabs at Clem w/ act of erasing. | |
| 18 | Clem-Pat | Joel hears Patrick has new girl. | (+) Relat | Patrick deceived Clem. |
| 19 | Joel-Clem | Joel and Clem are bored over take out. Clem leaves for night over Joel’s childishness. | (-) Love | Joel and Clem. Clem says should have left him at flea market. |
| 20 | Joel-How
Clem-Pat |
Joel hears Patrick stole Clem’s underwear. Stan and Patrick share laugh at Joel’s expense.
> Pat’s new girl is Clem |
(-) Confused | Joel is confused and scared. |
| 21 | Joel-Clem | Clem wants baby. Joel says Clem not ready. Clem accuses Joel of fear of commitment. | (-) Comm | Joel judges Clem to be bad mother. Joel tries to avoid conversation. |
| 22 | Stan-Mary | Mary arrives. Stan and Mary drink Joel’s alcohol and flirt. They both ignore Patrick.
> quotes Bartletts |
(+) Love | Pat tries to get Stan’ respect and Mary’ attention. Pat tries to join the conversation. |
| 23 | Joel-Clem | Clem wants Joel to open up. Joel says Clem talks too much. | (-) Love | Joel belittles Clem’s sincere want of intimacy. |
| 24 | Joel-Clem | Joel and Clem fight over dinner. | (-) Love | Joel calls them “dining dead”. Clem calls Joel disgusting. Joel belittles Clem’s vocabulary. |
| 25 | Clem-Pat | Patrick goes to cheer Clem up
> P calls Clem “Tangerine”. |
(+) Comm | Patrick uses Joel’s words. |
| 26 | Joel-Clem
Clem-Pat |
Joel hears Clem on phone with Patrick. Joel sees himself at Barnes & Noble. Joel tries to see Pat’s face but fails. | (-) Love
(+) Comm |
Joel is lost and confused. Helpless as Pat is stealing him girlfriend. |
| 27 | Stan-Mary | Mary tells Patrick to go. | (+) Love | Patrick feels rejected. |
| 28 | Joel-Clem
Joel-How |
Clem shows off new Tangerine hair to Joel. Joel asks Clem how Pat knew to call Clem “Tangerine”. | (+) Love
(-) Losing identity |
|
| 29 | Stan-Mary
Mary-How |
Stan and Mary get stoned on Joel’s bed. Mary talks about Howard to Stan. | (-) Love
(+) Love |
Stan tries to change subject. |
| 30 | Clem-Pat | Patrick cheers up Clem. Clem asks him to go to Boston. | (+) Love | Patrick uses Joel’s words. |
| 31 | Stan-Mary | Stan and Mary dance on Joel’s bed. | (+) Love | Joel’s depressed hesitant voice mail. |
| 32 | Clem-Pat | Patrick checks his mementos before going to Boston. Patrick gives V-day gift to Clem. | (+) Love | Clem impressed with V-day present. |
| 33 | Joel-Clem
Joel-How |
Joel reassures Clem that she’s not ugly. Joel wants to keep this memory. | (+) Happy
(-) Gone |
Joel reassures Clem. |
| 34 | Joel-Clem | Joel and Clem share happiness on Charles. Joel loses Clem in train station floor. | (+) Happy, Comm | Joel is blissfully happy and tells Clem. |
| 35 | Joel-Clem TURNING POINT
55 min |
Joel gathers Clem to escape together. They travel through various glimpses back to Lacuna. Joel confronts Howard that Pat is stealing Clem with his identity. | (+) Team | Joel actively tries to escape. |
| 36 | Clem-Pat
CLIMAX |
Pat tells Clem Joel’s words on Charles. Clem is offended and leaves. | (-) Weird | Clem is freaked out. |
| 37 | Joel-Clem
Joel-How |
Clem tell Joel to try to wake up. Joel does for a second. | (+) Comm
(+) Awake |
Joel mocks Clem’s idea. Clem accuses Joel of wanting to prove her wrong. Joel admits he loves Clem because of her impulsiveness |
| 38 | Joel-Clem | Clem gives Joel another idea. Joel follows. | (+) Team | Joel listens to Clem’s idea. |
| 39 | Joel-Clem | Clem helps Joel stay composed under kitchen table in Joel’s childhood memory. | (+) Shared Memory | Clem cares for Baby Joel. |
| 40 | Stan-Mary | Stan finds out erasing stopped. Mary forces Stan to call Howard. | (-) Love | Stan and Mary freak out under pressure. |
| 41 | Joel-Clem | Joel tells Clem Pat is stealing her. | (+) Team | |
| 42 | Clem-Pat | Clem freaks out in the car. Patrick tries to cheer Clem up. Backfires.
> you’re “nice” |
(-) Love | Clem is freaked out more because she doesn’t know why she is freaked out. |
| 43 | Stan-Mary | Clean up the apartment. | (-) Love | They bicker as they clean up. |
| 44 | Joel-How
Mary-How |
Howard arrives. Mary helps Howard settle in. Howard goes after Joel. | (-)
(+) Love |
|
| 45 | Joel-Clem | Joel and Clem bathed in sink by mom. | (+) Intimate | Clem shares Joel’s security in sink. |
| 46 | Joel-How | Howards finds them and gives Joel shot when his eyes open. Joel fails to wake up. | (-) Found | |
| 47 | Joel-Clem | J and C crashing in on a drive in theater. | (+) Fun | Joel and Clem share movie antics. |
| 48 | Joel-How | Howard finds Joel and Clem. Joel and Clem unsuccessfully try to go back to Lacuna. | (-) Found | Joel is losing the fight. Lacuna is getting blurry. |
| 49 | Joel-Clem | Clem gives another idea for Joel to hide them deeper, in his humiliation. Joel does. | (+) Comfort | Clem comforts Joel over humiliating memory. |
| 50 | Joel-How | Howard finds Joel and Clem. | (-) Found | Joel is alone. |
| 51 | Joel-Clem | Clem saves Joel from childhood bullies forcing him to smack the fish. | (+) Care | Joel shares his childhood memories with Clem. Clem saves Joel. |
| 52 | Joel-How | Howard finds Joel and Clem. | (-) Found | Joel is alone. |
| 53 | Joel-Clem | Joel and Clem in memory of pillow stuffing. | (-) Love | Joel reflects on childish happy times. |
| 54 | Joel-How | Joel drags Clem across snow filled beach to run and hide.
> beach house |
(-) Found | |
| 55 | Stan-Mary | Mary refuses to go out for a smoke with Stan. | (-) Love | |
| 56 | Mary-How | Mary succeeds in impressing Howard with quotes. | (+) Love | |
| 57 | Joel-Clem | Date in NYC Elephants. | (+) Love | Joel remembers date with Clem. |
| 58 | Mary-How | Mary kisses Howard. Howard kisses back. | (+) Love | Howard faces dilemma of love and responsibility. |
| 59 | Stan-Mary | Stan sees M and H kiss. | (-) Love | |
| 60 | Mary-How
CLIMAX |
Howard’s wife tells Mary that she has a history with Howard. | (-) Trust | |
| 61 | Stan-Mary | Mary declines Stan’s offer of a ride home. | (-) Love | |
| 62 | Joel-Clem | Joel asks Clem out at her work. Joel reminisces about her concept speech. Clem encourages Joel to remember. | (+) Accept | Joel realizes Clem had his traits pegged from the beginning. She was smarter than he believed to be. |
| 63 | Mary-How | Mary finds her own tape. Learns of history with Howard. | (-) Trust | |
| 64 | Joel-Clem | Joel meets Clem at beach party. Joel stays at house this time to say goodbye.
> Huckleberry Hound > Beach House |
(+) Accept | Clem breaks into the house.
Joel ran away from house last time because of disdain in Clem’s voice. Joel suggests they enjoy there last moments. |
| 65 | Joel-How
CLIMAX |
Howard finishes erasing all memories. | (-) Memory | Howard unsure how Joel became resistant to procedure. |
| 66 | Joel-Clem
FAKE CLIMAX Joel-How RESOLTN |
Joel wakes without his memory of Clementine.
> first scene of movie |
(-) Memory of Love | **Negation of negative at CLIMAX |
| 67 | Stan-Mary
RESOLTN |
Stan denies he knew of Mary’s operation and her relationship with Howard.
Mary leaves Stan. |
(-) Trust | Stan directly states his feelings. |
| 68 | Mary-How
RESOLTN |
Mary destroys Lacuna. Mails out all tapes to all past clients. | (-) Trust | Mary feels betrayed. |
| 69 | Joel-Clem
CLIMAX |
Joel and Clem listen to Clem’s tape. Joel kicks Clem out of car. | (-) Trust | Joel feels like he is made a fool. |
| 70 | Clem-Pat
RESOLTN |
Clem tells Patrick to get lost. | (-) Love | Clem overwhelmed. |
| 71 | Joel-Clem | Clem find her way to Joel’s apartment. | Clem cries over experience. | |
| 72 | Joel-Clem
RESOLTN |
Joel asks Clem if they can try again. They agree. | (+) Accept | Joel accepts the fact that Clementine will get bored of him. |



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